Brady Flanagan
Writing

Stories built
to be heard.

Audio-first narrative writing shaped around character, dialogue, timing, and the moment a script leaves the page and becomes a performance.

Selected writing ↘Discuss a project ↗
Audio dramaDialogueCharacterHorrorComedy
Brady Flanagan in a thoughtful editorial portrait
Featured writing

Writing with the performance already in mind.

The portfolio now shows recurring and substantial writing work instead of treating writing as a single-credit résumé category.

01
Original series

Rogue Life

A long-form sci-fi comedy built around a man trapped in a series of radically different worlds. As creator and writer, Brady developed the story with performance, sound design, and musical structure in view from the beginning.

CreatorWriterDialogueLong-form narrativeAudio-first production
Why it belongs hereRogue Life is the clearest example of writing that was conceived together with acting, edit rhythm, sound, and composition rather than handed off after the script was finished.

Listen to project ↗
02
Horror anthology

Your Horror Show

Selected writing includes Yaga, Detour, and You Know What You Did—stories that move between folk horror, character-driven suspense, and a more heightened game-show nightmare.

YagaDetourYou Know What You DidHorror anthologyDirection / production overlap
What this showsDifferent horror modes can still share a consistent priority: clear character wants, playable dialogue, strong turns, and room for the soundscape to carry part of the storytelling.
03
Recurring comedy writing

Cold Reads/Hot Takes

Brady has written extensively across the series, contributing many portions of episodes and recurring bits rather than a single isolated script. It is a useful example of writing quickly inside an established voice and format.

Recurring contributorComedyShort-form segmentsCharacter bitsFormat writing
What this showsRange is not only genre. It is also the ability to match an existing show, build a bit efficiently, and make something immediately playable by performers.
04
Short-form audio fiction

4Shorts

Selected pieces include A Clue and The Maze, compact stories where the writing has to establish a premise, voice, and turn without wasting time.

A ClueThe MazeShort-formAudio fiction
What this showsShort-form work rewards economy: get to the idea quickly, give the actor something specific to play, and make the ending earn the setup.
Writing lens

Built for the ear.

The writing approach is practical: the page matters, but the final audience experiences breath, pacing, silence, performance, and sound.

Character first

Dialogue is written to give performers intention, rhythm, tension, and something active to play.

Space for sound

Not every story beat needs to be spoken. Scripts can leave deliberate room for ambience, action, silence, and transitions to carry information.

Production aware

Writing choices account for how a scene will actually be recorded, edited, directed, and understood by a listener.

Writing & development

Have a story taking shape?

For audio drama, dialogue work, story development, punch-up, or a project that crosses writing and production, start with the idea and where you need help.

Talk about the project ↗